Context
This campaign ran in United States / nordamerika during 2010, around the issue of an undocumented issue. Banners, posters, and displayed communications
- [source: u-s-street-artists-protest-against-art-censorship-of-artist-blu-2010-2011]
Selective social boycott
Methods in 2nd segment
- [source: u-s-street-artists-protest-against-art-censorship-of-artist-blu-2010-2011]
Goal
The campaign sought to protesters included respected chicano artist and vietnam war veteran [trunc]. Banners, posters, and displayed communications
- [source: u-s-street-artists-protest-against-art-censorship-of-artist-blu-2010-2011]
Strategy & Tactics
The campaign’s strategy as described in the source: Banners, posters, and displayed communications
- [source: u-s-street-artists-protest-against-art-censorship-of-artist-blu-2010-2011]
Tactics used (per the structured record):
- framing-and-narrative [source: u-s-street-artists-protest-against-art-censorship-of-artist-blu-2010-2011]
Outcome
Outcome: teilweise. However, the protesters and LA RAW did not get MOCA or Deitch to change museum policies about censorship. [source: u-s-street-artists-protest-against-art-censorship-of-artist-blu-2010-2011]
Lessons
What campaigners can take from this case: Case Study Details
Database Narrative
Jeffrey Deitch, the director of Los Angeles Museum of Contemporary Art (MOCA) commissioned Blu, an Italian street artist, to paint a mural on the Geffen Contemporary building as part of the “Art in the Streets” exhibit about graffiti, which was planned to open April 17, 2011. [source: u-s-street-artists-protest-against-art-censorship-of-artist-blu-2010-2011]
Lessons recorded (per the structured record):
- (no lessons recorded in the structured frontmatter) [source: u-s-street-artists-protest-against-art-censorship-of-artist-blu-2010-2011]